[評論]M&K V10 它會讓你明白什麼是「低音的速度」

最佳推薦 M&K Sound V10主動式超低音喇叭

您如何分辨超低音喇叭性能的高低?我的評估原則很簡單,就是「快、狠、準」加上低頻下段的延伸能力「快」是指良好的暫態反應,在信號輸入的瞬間快速反應只是其一,重點在於音盆快速動作後能否以更短的時間從運動恢復到靜止狀態;「狠」一方面是指輸出強大的音壓的能力、另一方面則是指高動態,持續的高音壓並不是高動態、聲音能量從弱到強的瞬變幅度大才是高動態,因此不只是能量輸出的高低,在能量暴起之前「是否夠安靜」也是關鍵;至於我所謂的「準」是指平坦的頻率響應與低失真率,偏高的二次諧波失真會掩蓋細節。

簡單說完我的評估原則,我們來看 M&K Sound 最新款的 V10 主動式超低音喇叭是否符合以上評估條件。

 

以新款長衝程單體搭配高功率放大電路 

M&K 是製作超低音喇叭的行家,在玩家們心中的江湖地位不用我多說,該廠的行事作風有一大特色:改款、推出新製品的速度超慢,總是要確認新開發作品的性能明顯高於以往才會正式推出,近年 M&K 超低音喇叭的性能進化有三大主因,那就是原廠對於單體性能、功放電路輸出能力以及箱體製作的重視。

V系列是家族中的小型超低音喇叭,包括 V8V10V12三款,單體口徑依序為8吋、10吋與12吋,雖說V10體型小,但它卻內建了高效能的 250D類放大電路(瞬間峰值輸出高達450瓦),讓它好好「照顧」10吋單體、使V10能在充沛的驅動力之下發出強勁的能量,而D類相較於AB類功放電路還有一項優勢:在瀕臨最大輸出功率的狀態下、諧波失真率仍低。當功放電路驅動單體,音圈總成開始作活塞運動的狀態下,音圈因磁通量的改變會產生與輸入信號相反的電動勢(反電動勢),這項因素會造成單體的非線性失真,而最好的對策就是在單體中加上短路環(法拉第環)來消除反電動勢,只是有這麼作的單體還是少數、平價製品並不多,先前 M&K 頂級「X系列」的長衝程單體就有裝鋁短路環,這回V10也比照辦理,為了降低失真、 M&K 願意在看不見的地方多下成本。

V10所使用的新款超低音單體仍是沿襲傳統用紙漿製作音盆,紙盆雖不如鋁盆那麼硬,但材料的阻尼特性較佳、較能吸收音盆本體的振動。單體正面中央的防塵蓋以玻璃纖維製成,懸邊則是採用耐用、氣密性佳的丁腈橡膠(NBR),以鋼製成堅硬的單體框架,音圈筒材料採用質量輕、散熱快的鋁,從前面的防塵蓋、音圈筒中央一直到單體後方的中央是一條暢通的管路,它一方面可以藉著音盆與音圈總成的運動吸入冷空氣幫音圈散熱,另一方面還可以降低向後運動的阻力、減少聲音信號的壓縮,讓正負半周的信號更對稱、降低二次諧波。

 

注重抑振的箱體結構 

「密閉式箱體」也是 M&K 的傳統之一:在音盆向外、向內運動時,可以利用箱內外的氣壓差異來幫助音盆恢復到靜止狀態,等於是在彈波與懸邊之外再多加了一個制動機制、加強控制力。雖然同體積的密閉式箱體相較於低音反射式箱體在低頻響應的下端會從較高的頻率開始滾降,但滾降斜率要比低音反射式小得多。M&K 建議用家把他家超低音喇叭擺在靠牆或牆角的位置是有用意的:在邊界效應(Boundary Effect)作用下、不僅可以利用牆面增強低頻能量,並且在40Hz以下頻率愈低、增益愈高,能夠拉抬低頻最下段的響應、補償滾降,而 M&K 用密閉式箱體低頻響應下端滾降的幅度小,因此能得到恰如其分的補償,這就是體型小巧的V10為何能延伸至25Hz的原因之一。

音響器材講究抑振的製作都能讓聲音更純淨、使細節更豐富,V10抑振的製作重點在於箱體,所有的箱板都是用1吋厚的MDF製成,材料夠重、吸收振動的阻尼特性也好。在V10的箱內還以0.75吋的MDF作成補強結構,此結構位於箱內的中段:四邊頂住底板、頂板與兩塊側板,正面中央作成圓筒狀,一方面頂住單體磁鐵的後方、讓補強結構與鎖在面板的框架一同壓制單體動作時的反作用力(等於是把單體從前後兩方夾住),圓筒中央則是讓前述「單體後方中央排出的氣流」順利通過,如此費工又完善的箱體製作,在這個價位帶還真不多見。

 

出類拔萃的速度感與低頻解析能力

以往 M&K 主動式喇叭給玩家最深的印象就是「快」,但是我可以確定告訴各位:V10的速度與控制力幾乎幹掉M&K歷來所有的超低音喇叭、只有X系列例外。它的低頻非常緊實、完全不模糊、感覺不到一點點拖尾和「多餘的聲音」,低頻能量的輕重反應極為敏銳而細膩。我向來習慣用 ManowarThe Power of Thy Sword」曲中急速密集的雙大鼓連踩來考驗超低音喇叭的速度(控制力),V10表現出來每個鼓點清晰的程度是我聽過所有超低音喇叭之中最清晰者「之一」,然而它和這些之一以外的極少數頂尖超低音(價格都破十萬)相較,實在是便宜太多了!極佳的暫態反應與很低的失真、使現場音樂會的錄音呈現出超乎尋常的活生感,它的表現能讓聆聽者充分理解到一件很重要的事:雖然我們只讓超低音喇叭工作在 80Hz100Hz以下這麼窄、這麼低的頻段,但是這個頻段會對整套系統的速度與解析度造成關鍵性的影響,很多我們覺得質感不夠好、不夠純淨的系統,其實錯未必在中高頻,而是低頻諧波失真造成的模糊感,控制力差的低頻會把整套系統的聲音給搞髒了。

V10 在音樂播放時的表現近乎完美,它在本刊8坪大的視聽室中也能充分的展現出電影音效低頻的能量,低頻衝擊力強、還是「結實而清楚的」,完全是很有韌性的肌肉、沒有一點贅肉,總是一派輕鬆,即使輸出很強的低頻、聽起來一點都沒有像是擠出來的感覺,它讓我聽到許多以往在某些片段中沒有察覺到「很微弱又很低沉」的聲音成分,解析度真是好得沒話說。

 

最佳推薦

在測試過後,我認為以V10的性能與實際表現夠資格被稱為Hi End 級超低音喇叭」、我從沒想過這個價位、這種體型的超低音喇叭能有如此高超的性能,以它的價格而言、就算把競爭對手的價位帶從5萬元級放大到10萬元以內,像它一樣質量兼備的製品還真難找!我也要誠實告訴大家:雖然V10的能量感傲視同級製品,但仍不及自家X系列「強到足以捲褲管」的低頻能量與極高的密度感。儘管如此,V10已經成為我心目中5萬元以內超低音喇叭的最新性能標竿,它毫無疑問可以獲得最佳推薦、而且有很高的機率能擠進年度器材榜單。

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